Nehal Agarwal
About
Nehal is an artist whose practice explores the instability of meaning and the ways in which interpretation shifts across time, context and perspective. Through the processes of layering, repetition, fragmentation and transformation, her work investigates how perception is constructed through what is revealed, obscured, altered or left unresolved. Rather than presenting meaning as something fixed, her practice creates spaces where understanding remains open, provisional and continuously negotiated.
Working primarily with watercolour, text and layered surfaces, Nehal is interested in how materials themselves can embody uncertainty. She allows the natural behaviour of pigment, absorption, erasure and accumulation to play an active role in shaping the image, creating works that move between recognition and abstraction. This process-led approach reflects her broader conceptual interest in how meaning emerges gradually, often through partial encounters, fragments and traces rather than through complete or stable forms.
Drawing from personal observation as well as historical and cultural references, Nehal's work often uses natural forms, particularly flowers, as a site through which shifting meanings can be explored. By magnifying, isolating and reconfiguring these forms, she challenges familiar ways of seeing and invites viewers to reconsider how recognition is formed. Text is often incorporated as a parallel layer of interpretation, functioning not as explanation but as an unstable element that complicates and extends the reading of the image.
What Is It
This project explores how meaning is constructed and transformed through historical, cultural and personal perspectives when interpreting a single subject. Using the tuberose flower as a point of departure, the work investigates how one image can carry multiple associations that shift depending on context, memory and the viewer’s own understanding. Rather than presenting the flower as a complete and stable form, the subject is fragmented, enlarged, layered and partially obscured, allowing its meaning to remain open and unsettled.
Working primarily with watercolour, text and layered surfaces, the project uses material processes to mirror this instability. Watercolour spreads unpredictably, edges dissolve and forms move between recognition and abstraction, creating images that resist fixed interpretation. Text is introduced as an additional layer of meaning, drawing from historical references, cultural associations and personal reflections. Instead of clarifying the image, these fragments of language complicate it, encouraging multiple readings.
The work invites viewers to shift between looking, reading and interpreting, making perception an active part of the process. By leaving forms unresolved and meanings open-ended, the project suggests that interpretation is never singular. Meaning is continuously shaped and reshaped through experience, association and perspective, remaining fluid rather than fixed.