About
Ruth started from a background in technical production, working on varied theatre and event productions.
Having been involved in operations from the ground up through to performance day, she has developed an understanding of how stories can connect people from diverse backgrounds and ages.
This appreciation for different art forms is reflected in her dedication to the arts scene over the past years.
Measuring arts appreciation in the age of creative technology: Immersive visual arts exhibitions
The rise of immersive visual arts exhibitions has transformed contemporary cultural spaces, especially in technologically advanced cities such as Singapore. Though galleries were once primarily spaces of quiet observation and contemplation, they are now increasingly adopting creative technologies such as artificial intelligence (AI), interactive projections and augmented environments that create new dimensions of multi-sensory experiences for audiences. These tools have not only reshaped how exhibitions are designed, but how audiences appreciate the arts.
This research paper covers the following areas: 1) the relationship between creative technology, AI and the creation of immersive exhibitions, 2) the ways in which immersive exhibitions employ creative technologies that engage audiences on sensory, cognitive and emotional levels and 3) how these creative technologies affect the appreciation for the arts.
Together, these three areas intend to discover the positive and negative impacts of creative technology on artistic integrity and curatorial depth in exhibitions as well as its impact on arts appreciation.
Professional practice
Ruth's professional practice includes stage management and arts administration.
Aria Maish Nichani
Budy Hartono Foo Bin Abdul Rahman
Sanjana Sairaj
Chia Mun Yee Minerva
Jenelle Yap Zhi Ting
Sharafah Malihah
